• Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician
  • Herbert Matter: Artist Magician

Herbert Matter: Artist Magician

Regular price $60.00

By John T. Hill

Herbert Matter: Artist Magician examines the work and legacy of Swiss-born designer and photographer Herbert Matter (1907-1984), whose practice moved fluidly between graphic design, photography, filmmaking, and art. Inspired by Russian Constructivism and trained in Paris in the late 1920s by figures such as Léger, Le Corbusier, and A. M. Cassandre, Matter helped reshape modern visual language by combining photography, collage, and bold typographic composition in ways that were both experimental and commercially effective.

After relocating to the United States, Matter became deeply involved in the country’s modern art and design culture. Throughout his career Matter balanced fine art and commercial work, developing a visual language that extended across many fields. His projects included the corporate identity for Knoll Associates and the New Haven Railroad, photography documenting early furniture by Charles and Ray Eames, magazine covers for Vogue and Arts & Architecture, and photographic portraits of contemporaries such as Jackson Pollock, Willem de Kooning, and Alberto Giacometti. As a filmmaker he directed the critically acclaimed film Works of Calder, about his friend Alexander Calder, with music composed by John Cage.

Matter also played an important role in design education. He taught photography and graphic design at Yale University from 1961 to 1976, contributing to the development of one of the most influential design programs in the United States.

This book brings together reproductions of posters, photographs, sketches, and design work that trace the breadth of his practice while situating it within the broader development of modernist visual culture. Archival materials and photographic documentation provide a glimpse into his studio and the broader network in which he operated. 

With written contributions by Steven Heller, Paul Rand, R. Roger Remington, James Johnson Sweeney, Louis Finkelstein, and Andrew Forge.

Edited by Geoffrey Lawrence

Designed by John T. Hill

Published by OctoberWorks, 2026

Softcover, 302 pages, full color offset,

ISBN: 978-1-95-926212-1

Looking makes making better.