By Riccardo Olocco

This book is about the roman type used in Venice by Nicolas Jenson, one of the most successful 15th-century printers. Jenson was well-known among his contemporaries because of his success as a printer/publisher and because of the quality of his type.

His editions featured several rotundas (the Italian style of blackletter), and notably, a roman which can safely be considered as the prototype of virtually all roman types up to the present. Jenson’s roman has been highly praised in the past and was used as a model for several type revivals by early 20th-century private-press printers. However, the importance of this type in the development of our typographic letters has not yet been sufficiently recognized.

This volume aims to draw attention to this important type and to its maker with fresh bibliographical information and photographic analysis of the letterforms. The type is thoroughly analyzed, the career of Jenson is sketched, and discussions on type-making techniques and the origin and development of its letterforms are presented.

Finally the influence of Jenson’s design is illustrated, demonstrating how his specific design choices were picked up by such punchcutters as Francesco Griffo and Claude Garamond, and became the standard for roman lowercase letterforms up to the present day.

Images play a pivotal role in this richly illustrated book. These visualizations allow readers the opportunity to explore the data and examine both the broader context and finer details of the type.

Designed by Riccardo Olocco

Preface by book and printing historian Lotte Hellinga

Published by Lazy Dog Press, 2024
First Edition

Hardcover, 120 pages, full color, 8.75 × 11.25 inches

ISBN: 978-8-89-803068-2