In 1975, Alison Knowles (born 1933), a founding member of Fluxus, and experimental composer Annea Lockwood (born 1939) co-edited and self-published Womens Work, a magazine of text-based and instructional scores written by women primarily for music and dance performance.
The magazine appeared in two issues between 1975 and 1978. This superb facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues, by artists Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter, and Marilyn Wood.
The magazine was designed by Alison Knowles, who deliberately chose off-white paper and brown inks as a contrast to the sterile, white-paged publications prevalent at the time.
The works contained in the magazine range in scope and take on a multitude of forms, employing both typed and written text, often with visual elements such as diagrams, drawings, and photographic images. The editors were and remain adamant that the work should be performed; that they not remain static as an artifact.
This is an important reissue, collecting as it does works in a field whose “classics” are typically confined to male-dominated publications.
"Womens Work is an intensely important, intensely thrilling work of feminist, musical scholarship." —The Wire
Published by Primary Information, 2019
Printed in an edition of 1500 copies
Slipcase, paperback, 33 pages (magazine) + 1 poster, 8.25 × 8.25 inches