{"title":"Books","description":"","products":[{"product_id":"cleon-peterson","title":"Cleon Peterson","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOUT OF PRINT!\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eForeword by Shepard Fairey \u003cbr\u003eIntroduction by Leigh Ledare \u003cbr\u003eEssay by Christopher Sleboda and Kathleen Sleboda\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003e\u003cstrong\u003eFirst edition, 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover, 64 pages, full-color offset, 5.5 × 7.5 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9857337-5-9\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35439251530,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/IMG_0659.jpg?v=1685132990"},{"product_id":"evil-people-in-modernist-homes-in-popular-films","title":"Evil People in Modernist Homes in Popular Films (Archive Copy)","description":"\u003cp\u003e\u003cb\u003eOut of Print, Archive Copy\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEvil People in Modernist Homes in Popular Films\u003c\/i\u003e \u003cbr\u003eVol. 1, MMX.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eE.P.i.M.H.i.P.F. \u003c\/i\u003eoffers a serious but lighthearted investigation of the representation of modernist architecture in popular film, reflecting on the convention of associating evil characters and events with modern buildings, and also, more generally, on the relation between cinema and architecture. A series of film stills, quotes and accompanying texts point to examples in \u003ci\u003eThe Damned Don't Cry\u003c\/i\u003e (1950), \u003ci\u003eDiamonds are Forever \u003c\/i\u003e(1971), \u003ci\u003eBlade Runner\u003c\/i\u003e (1982), \u003ci\u003eBody Double\u003c\/i\u003e (1984), \u003ci\u003eLethal Weapon 2\u003c\/i\u003e (1989), \u003ci\u003eL.A. Confidential\u003c\/i\u003e (1997), \u003ci\u003eThe Big Lebowski \u003c\/i\u003e(1998), and \u003ci\u003eTwilight \u003c\/i\u003e(2008). Includes essays by Steve Rose, Jon Yoder, and Joseph Rosa.\u003c\/p\u003e\n\u003cp\u003eDesigned by Benjamin Critton\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eSecond edition, 2013 \u003cbr\u003ePrinted in an edition of 1,000\u003c\/p\u003e\n\u003cp\u003e24 pages, 2-color offset, 11.5 × 15 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9857337-3-5\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35513114698,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/EvilPeopleinModernistHomes.jpg?v=1704041319"},{"product_id":"pretty-much","title":"Pretty Much","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003ePretty Much\u003c\/i\u003e features black and white portrait photography from Henry Gaudier-Greene, Gracie Hagen, Fox Harvard, Olivia Lazer, Francisco Marin, Nick Nemphos, Michal Pudelka, and Greta Tu.\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eFirst edition, 2013 \u003cbr\u003ePrinted in an edition of 1,000\u003c\/p\u003e\n\u003cp\u003e16 pages, 2-color offset, 11 x 15 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-09857337-2-8\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35513140234,"sku":"","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/drawdown_cover_prettymuch.jpg?v=1483304589"},{"product_id":"reformed-newly-formed","title":"Reformed, Newly Formed (2016)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA publication jointly designed by graphic design students in “Newly Formed”—an advanced course in form-making at the Rhode Island School of Design. This brick-like volume was created by combining and reconsidering design work generated throughout the term and is amply supplemented with documentary photographs, selected work addressing thematic design briefs, and photographs of the original prompts. The work uses an array of materials, techniques and formats, focusing on image-making, experimental typography, and evocative graphic explorations.\u003c\/p\u003e\n\u003cp\u003eFeaturing work by Kevin Cadena, Polina Godz, Michael Grover, Brian Hicks, Gabriel Melcher, Scarlett Xin Meng, Ben Ross, Delaney Weber, and Barron Webster.\u003c\/p\u003e\n\u003cp\u003eFirst edition, 2016\u003c\/p\u003e\n\u003cp\u003e610 pages, 1-color, 4.25 × 7 in.\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35514247626,"sku":"","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Reformed_Store_2017.jpg?v=1483327641"},{"product_id":"haunted-andy-reaser","title":"Haunted \/ Andy Reaser","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAndy Reaser's beautiful and haunting images are created using old film cameras, natural light, and unreliable flashes. A Los Angeles-based television writer, Reaser grew up in the mountains of Roanoke, Virginia, where he developed a fondness for ghost stories, cemeteries, and the sky. \u003ci\u003eHaunted\u003c\/i\u003e, Reaser's first published collection of photographs, captures a single subject, Amanda Jones, as an innocent school girl possessed by otherworldly forces.\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eFirst edition, 2012 \u003cbr\u003ePrinted in numbered edition of 525\u003c\/p\u003e\n\u003cp\u003e32 pages, 1-color offset, 7.75 x 10 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-0985733711\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35514280138,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/haunted_photo_drawdown.jpg?v=1685217256"},{"product_id":"gluekit-made-photographs","title":"Gluekit \"Made Photographs\"","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA collection of images made by Gluekit between 2002 and 2014. Gluekit's work investigates two- and three-dimensional spatial relationships, design motifs, fragments, the flexibility of language and representation, the intersection of handmade and computer-generated imagery, and the communication of complex ideas through simple graphics.\u003c\/p\u003e\n\u003cp\u003eGluekit is the image-making studio of American designers Christopher Sleboda and Kathleen Sleboda. Since 2002, Gluekit's award-winning work has been featured in hundreds of magazines around the world and more than a dozen books about design and illustration.\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eFirst edition, 2014 \u003cbr\u003ePrinted in edition of 1,000 copies\u003c\/p\u003e\n\u003cp\u003e48 pages, 1-color offset, 6.5 × 9.5 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9857337-4-2\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35514331466,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/IMG_0507.jpg?v=1635079020"},{"product_id":"luck-isaac-mckay-randozzi","title":"Luck \/ Isaac McKay-Randozzi","description":"\u003cp\u003e\u003ci\u003eLuck\u003c\/i\u003e showcases Isaac McKay-Randozzi's analog photographs of skateboarding, street culture, and everyday observations. From perfectly frozen frontside airs to quiet, reflective moments with artist Michael Leon and original Bones Brigade member Tommy Guerrero, every image is captured with humble sincereness and raw confidence.\u003c\/p\u003e\n\u003cp\u003e\"The black and white images can be striking... and the size and printing do them justice\" —Thrasher Magazine, Dec. 2012\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eFirst edition, 2012 \u003cbr\u003ePrinted in numbered edition of 500\u003c\/p\u003e\n\u003cp\u003e16 pages, 2-color offset, 7.75 × 10 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9857337-0-4\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35514334218,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/IMG_0483.jpg?v=1635079070"},{"product_id":"mapping-graphic-design-history-in-switzerland","title":"Mapping Graphic Design History in Switzerland","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLast copies! We have a few left with slight cover imperfections. \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume presents eleven original essays on the production, mediation and consumption of graphic design artifacts and processes, as well as their respective discourses, by authors from the German, French and Italian-speaking areas of Switzerland. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eMapping Graphic Design History in Switzerland\u003c\/em\u003e discusses theoretical and methodological approaches for historical research on graphic design; helps to establish graphic design history as an academic field in Switzerland; and aims to make this discourse accessible to researchers and professional graphic designers in Switzerland and abroad. \u003cbr\u003e\u003cbr\u003eThe texts are illustrated with around 100 color and largely unpublished images. In addition to the academic texts, the publications contains three visual essays on the history of graphic design in Switzerland, as well as an extensive list of literature and other references.\u003cbr\u003e\u003cbr\u003eIncludes an epilogue and prologue by the editors and contributions by Constance Delamadeleine, Davide Fornari, Roland Früh, Invar-Torre Hollaus, Barbara Junod, Leslie Kennedy, Robert Lzicar, Corina Neuenschwander, Franziska Nyffenegger, François Rappo, Michael Renner, Bettina Richter, Teal Triggs, Amanda Unger, Peter Vetter. With visual essays designed by Diana Iennaco, Marina Prado and Leonardo Signori\u003cbr\u003e\u003cbr\u003eDesigned by STVG — Jonas Mahrer, Robert Lzicar\u003cbr\u003e\u003cbr\u003ePublished by Triest Verlag für Architektur, Design und Typografie, 2016\u003cbr\u003e\u003cbr\u003e328 pages, softcover, ca. 100 images and 3 visual essays, 6.5 × 9.5 inches\u003cbr\u003e\u003cbr\u003eISBN 978-3-03-863009-8\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":35518344266,"sku":"","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/mapping_graphic_cover_store.jpg?v=1483329084"},{"product_id":"warsaw-slanted-28","title":"Slanted 28: Warsaw","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIssue #28 of German design magazine \u003cem\u003eSlanted\u003c\/em\u003e explores the deep pool of contemporary design to be found in Warsaw, Poland. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eEighteen creative studios and individuals are highlighted, from old masters and legends (Rosław Szaybo, Mieczysław Wasilewski) to younger practitioners (Noviki, Type2, Jakub de Barbaro, and Edgar Bąk Studio). \u003c\/span\u003e\u003cspan class=\"s1\"\u003eOther well known figures from the contemporary design scene — Łukasz Dziedzic, FONTARTE, HUNCWOT, Grzegorz Laszuk, Mamastudio, Super Super, Syfon Studio, Jacek Utko, UVMW, White Cat Studio, and Zerkaj Studio — are also featured. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIllustrations, photography, interviews and essay round out this rich documentation of Polish graphic design. Includes e\u003c\/span\u003essays on: the generations of designers and graphic artists, 1900-1945, who set the stage for contemporary graphic design in Poland; the emergence of kiosks (small-scale architecture), Polish music bootlegs and mix tape culture, and associated vernacular design; the Polish Exhibition of Graphic Symbols, first held in 1969, and then reconstructed in 2015; the International Warsaw Poster Biennale, and the controversial decision to replace the esteemed competition with a curated exhibition; a profile of designer Mieczysław Berman (1903-1975); \"A Guide to Mental Acceptance: Between the East and the West”; and many more texts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWith contributions by 3group, Max Cegielski, Cyber Kids on Real, Klara Czerniewska, Olga Drenda, Agata Dudek, Marta Gawin, Dirk Gebhardt, Viktoriya Grabowska, Grupa Projektor, Homework, Jakub Jezierski, Tymek Jezierski, Janek Koza, Agata Królak, KUKI, Iwona Kurz, Piotr Leśniak, Ian Lynam, Mateusz Machalski, Piotr Młodożeniec, MOONMADNESS, Negation Studio, Marta Niedbał, Ola Niepsuj, Agata Nowicka, Kacper Pobłocki, Poważne Studio, Redkroft, Zuzanna Rogatty, Dr. Piotr Rypson, Dawid Ryski, siedemzero, Piotr Socha, StudioKxx, Studio Otwarte, Super Salon, Dr. Agata Szydłowska, Tomasz Walenta, and Rene Wawrzkiewicz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by Slanted Publishers \u003cbr\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eFirst edition, 2016 (English)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e256 pages, single and full-color offset, 6 × 9.5 inches\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":35518499402,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Slanted28_Warsaw_21.jpg?v=1621724322"},{"product_id":"plein-air-high-desert-test-sites-01-katie-bachler","title":"Plein Air (High Desert Test Sites 01) \/ Katie Bachler","description":"\u003cp\u003eIn 2012, American artist Katie Bachler (one of the co-founders of The Women's Center for Creative Work in Los Angeles) became the first \"Scout\" to take up residency at High Desert Test Sites in Joshua Tree, California. Bachler's efforts included launching map-making and rag-rug braiding workshops; establishing the Scout's Book Club; and embarking on a busy schedule of local site visits, field trips, and spontaneous conversations.\u003c\/p\u003e\n\u003cp\u003eThis volume serves as a diaristic encapsulation of her residency, marking the woman's dinner in the desert that later grew into the WCCW as well as a dance performance at Coyote Dry Lake by the Body City collective, and serving as a record of Joshua Tree's local culture and heritage.\u003c\/p\u003e\n\u003cp\u003eDesigned by Neil Doshi\u003c\/p\u003e\n\u003cp\u003ePublished by High Desert Test Sites\u003c\/p\u003e\n\u003cp\u003e109 pages + 1 postcard, mainly 1-color with 12 full color plates, 7.75 × 6 inches \u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":35519060234,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/PleinAir_HighDesertTestSites01_KatieBachler.jpg?v=1704061558"},{"product_id":"100-days-of-travellers-in-red-akhila-krishnan","title":"100 days of travellers in red \/ Akhila Krishnan","description":"\u003cp\u003eIn 2015, London-based artist and video designer Akhila Krishnan embarked on a new project: to document, each day for a hundred days, people wearing red on her commute to work. 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Led today by Alexandre Dimos and Ghislain Triboulet, the studio’s work is notable in its intention to seemingly disappear in a process where form logically follows from content. By way of a thorough analysis of several of their designs, overlapping elements of both avant-garde functional aesthetics and an austere classicism emerge in their work. With a text (“Defying the image: deValence, Socrates and the question of design”) by Victor Guégan; an exhaustive visual overview of their design work, with photographs by Paul Lepreux; and an interview.\u003c\/p\u003e\n\u003cp\u003edeValence is both a design studio and a publisher, supporting research and reflections about the role and history of graphic design. 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Much of the London-based Danish artist's work is concerned with the constructs of image production relative to its creation and medium.\u003c\/p\u003e\n\u003cp\u003eDesign by Rory Gleeson with Asta Meldal Lynge\u003c\/p\u003e\n\u003cp\u003ePublished by Studio Operative, 2016 \u003cbr\u003ePrinted in a limited edition of 600 copies\u003c\/p\u003e\n\u003cp\u003eSoftcover, 128 pages, full color offset, includes 16 die-cut pages, 8.5 × 11 in. \u003cbr\u003e[1 lb 5.6 oz]\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9575223-6-7\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36242555850,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Realstate_17s.jpg?v=1485621245"},{"product_id":"drunk-complexions-samara-scott","title":"Drunk Complexions \/ Samara Scott","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis beautifully printed and wholly unique artist book expands upon London-based artist Samara Scott’s installation practice, translating her approach to materiality—with her use of dense surface language and atmospheric liquids, objects and textures—onto the shimmering, glossy page.\u003c\/p\u003e\n\u003cp\u003eBeginning with a series of works made for the exhibition \u003ci\u003eHarvest\u003c\/i\u003e (2015) at London's The Sunday Painter, \u003ci\u003eDrunk Complexions\u003c\/i\u003e depicts a chronological portrait of these works—condensed sub astral landscapes and rock pools housed in domestic vessels, as they form, ripen, decay, crust over and disintegrate. Reproduced in neon pink and orange, the colors of a ‘medieval Miami sunset,’ the magnified single-color images create new microscopic environments.\u003c\/p\u003e\n\u003cp\u003eAn additional synthetic substance intermingles with those that the images depict. A deletion chemical applied, with a variety of materials, directly onto lithographic printing plates produces an inky film of silver that pools and swarms across the pages, submerging the images and mirroring the shifting liquids that immerse the consumer detritus and material landscapes of the original works.\u003c\/p\u003e\n\u003cp\u003eDesigned by Traven T. Croves\u003c\/p\u003e\n\u003cp\u003eEdited by Alice Lindsay, Andrew Lister, Matthew Stuart and Peter Willis\u003c\/p\u003e\n\u003cp\u003ePublished by Studio Operative, 2015 \u003cbr\u003ePrinted in a limited edition of 500 copies\u003c\/p\u003e\n\u003cp\u003e44 pages, offset lithograph, 9.5 × 13.25 in. [9.2 oz] \u003cbr\u003eSleeved with postcard, 5 × 7.25 in., in screenprinted poly sleeve, 10 × 14.25 in.,\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-9575223-3-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36242683274,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/DrunkComp_17s.jpg?v=1485113772"},{"product_id":"the-most-beautiful-swiss-books-2012","title":"The Most Beautiful Swiss Books 2012","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMore than 450 entries completed for recognition in 2012’s competition, a substantial increase from previous years. Undeterred, the jury—David Senior, Sara De Bondt, Christina Reble, Manuel Krebs, and Lex Trüb—sifted through this mass of remarkable work, assessing books based on conception, graphic design and typography, with particular attention to innovation and originality. The jury also considered quality of printing, bookbinding workmanship, and the materiality of the entries. Nineteen exemplary books were selected as finalists, each of which is reviewed in this volume. Also included are short interviews with jury members, an overview of the deliberations, technical data about the books, and an insert with complete texts in German, French and Italian.\u003c\/p\u003e\n\u003cp\u003eDesign and typesetting: Aude Lehmann\u003c\/p\u003e\n\u003cp\u003ePhotography: Maurice Scheltens and Liesbeth Abbenes\u003c\/p\u003e\n\u003cp\u003ePublished by the Swiss Federal Office of Culture, 2013\u003c\/p\u003e\n\u003cp\u003eIn English\u003c\/p\u003e\n\u003cp\u003e64 pages, b\u0026amp;w photographs, 8.8 × 12.8 in. \u003cbr\u003e[13.7 oz]\u003c\/p\u003e\n\u003cp\u003eISBN 978-3-9523843-6-7\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36242745098,"sku":"","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/TheMostBeautifulSwissBooks2012.jpg?v=1704062878"},{"product_id":"eija-liisa-ahtila-ecologies-of-drama-collected-writings-interviews-and-scripts","title":"Eija-Liisa Ahtila: Ecologies of Drama: Collected Writings, Interviews, and Scripts","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe first anthology of literature on Finnish video artist and photographer Eija-Liisa Ahtila’s work to date.\u003c\/p\u003e\n\u003cp\u003eIncludes scripts of all fourteen of the artist’s moving-image installations; reprints of significant essays by Mieke Bal, Daniel Birnbaum, Elisabeth Bronfen, Alison Butler, Kaja Silverman, and Cary Wolfe; and interviews with the artist and Lena Essling, Chrissie Iles, Stephen Knudsen, and Cary Wolfe.\u003c\/p\u003e\n\u003cp\u003eEdited by Cathleen Chaffee, Senior Curator at the Albright-Knox Art Gallery\u003c\/p\u003e\n\u003cp\u003eDesigned by Christopher Sleboda and Kathleen Sleboda\u003c\/p\u003e\n\u003cp\u003eSoftcover, 300 pages, 27 color and 14 black-and-white illustrations, 6.75 × 9.625 inches\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36242980170,"sku":"","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/Eija-LiisaAhtilaEcologiesofDramaCollectedWritings_Interviews_andScripts.jpg?v=1704145199"},{"product_id":"nora-schultz-portikus-printing-plant-and-portikus-sounds","title":"Nora Schultz: Portikus Printing Plant and Portikus Sounds","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eNora Schultz’s work explores questions of the emergence of pictures and production as an artistic dynamic. She is more interested in the genesis of images and objects and its material traces than in the completed work. That is why the manufacturing process plays a central part in her prints, printing machines, installations, and performances and always remains recognizable as such. The book figures as a sort of retelling in which manhole cover stamp, die-stamping drum, paper, plastic, and aluminum sheet, camping mat, microphone sculpture, dictaphone, sound funnel, and print worm blithely continue their cycles of production.\u003c\/p\u003e\n\u003cp\u003eDesigned by Studio Manuel Raeder\u003c\/p\u003e\n\u003cp\u003ePublished by BOM DIA BOA TARDE BOA NOITE and Portikus, Frankfurt\u003c\/p\u003e\n\u003cp\u003e112 pages, 175 x 250 mm\u003c\/p\u003e\n\u003cp\u003eISBN 978-3-943514-31-5\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36243108490,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Nora_17s.jpg?v=1485625874"},{"product_id":"maidan-survey","title":"Maïdan Survey","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe study compiles correspondence, images, an essay, and plans that document the transitory architecture built during the siege of Maïdan Square in Kyiv throughout the Winter of 2014.\u003c\/p\u003e\n\u003cp\u003eAs beacons of resistance, city squares have acquired iconic status for political claims, where many temporary autonomous areas changed and challenged the ruling authoritarian regimes. This work documents the occupation of public space, not as a concept of urban theory, but as a reality playing out at a resolutely human scale.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the exhibition “Orientations. Young Swiss Architects” at the Swiss Architecture Museum, Basel. This pamphlet is the outcome of a survey carried out by Bureau A (CH) and Bur∅ (UA).\u003c\/p\u003e\n\u003cp\u003eEssay by Daniel de Roulet, translated by Simon Thomas \u003cbr\u003ePhotography by Sergey Ferley\u003c\/p\u003e\n\u003cp\u003eDesigned by NORM\u003c\/p\u003e\n\u003cp\u003ePublished by Boabooks \u003cbr\u003eSecond edition, 2015\u003c\/p\u003e\n\u003cp\u003eEnglish, with captions in Russian \u003cbr\u003e48 pages, 36 illustrations, offset, 5.125 × 8.5 inches\u003c\/p\u003e\n\u003cp\u003eISBN 9782940409754\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36243134026,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Maiden_17s.jpg?v=1485709916"},{"product_id":"we-dance-into-the-night","title":"We Dance Into The Night","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eInspired by a story from the Sutra of Vikramadytia: 1,000 priests embark on a pilgrimage from China to India. Upon arrival they walk into a tiny temple, one after the other, until everyone has entered. How is this possible? The priests have transcended the physical realm of the world. In designer Seokhoon Choi's hands, this age-old story takes a graphic, meditative turn, becoming a celebration of line, form, dance and mark-making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConcept and design by Seokhoon Choi \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSelf-published\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover, 200 pages, black coil binding, b\u0026amp;w, 6 × 8.25 inches\u003c\/span\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36243408650,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/WeDanceIntoTheNight.jpg?v=1702305148"},{"product_id":"parting-it-out-writings-on-graphic-design","title":"Parting It Out: Writings on Graphic Design","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eParting It Out\u003c\/i\u003e is a collection of essays spanning much of graphic design as it applies to aspects of contemporary culture—from the Olympics and typography, to Japan, Cuba, and sign painting. The volume collects writings by Ian Lynam published outside of the American graphic design press alongside previously unpublished writing, and is equal parts personal narrative, design criticism, design history and cultural study.\u003c\/p\u003e\n\u003cp\u003eThe essays are accompanied by undergraduate and postgraduate homework assignments used in Lynam's classroom in Tokyo, as well as a comprehensive reading list of suggested graphic design literature for graphic designers, educators, students, and enthusiasts.\u003c\/p\u003e\n\u003cp\u003eIncludes an introductory essay by W. David Marx (Néojaponisme), a collaboration with Randy Nakamura, and an essay by Chris Ro.\u003c\/p\u003e\n\u003cp\u003eIan Lynam is a graphic designer, design teacher and design critic based in Tokyo.\u003c\/p\u003e\n\u003cp\u003eIn English, with a short passage in Japanese\u003c\/p\u003e\n\u003cp\u003ePublished by Wordshape \u003cbr\u003eFirst edition, 2015\u003c\/p\u003e\n\u003cp\u003e256 pages, split fountain printing with eight spot colors, 6 × 8.25 inches\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-692-25165-2\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36243632266,"sku":"","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/PartingItOut-WritingsonGraphicDesign.jpg?v=1636218002"},{"product_id":"the-cardiff-tapes-1972","title":"The Cardiff Tapes (1972)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBy Garth Evans \u003cbr\u003eCommentary by Jon Wood\u003c\/p\u003e\n\u003cp\u003eIn 1972, artist Garth Evans welcomed the opportunity to create a public sculpture in Cardiff, Wales, as part of the Peter Stuyvesant Foundation’s \u003ci\u003eCity Sculpture Project\u003c\/i\u003e. Concerned that the increasing demand for his work served only to reinforce the political, social, and economic status quos, Evans hoped to unsettle this dynamic by making a sculpture that would connect with an audience outside of the art world. The morning after the installation of his sculpture, Evans recorded the responses of passersby.The Beckettian transcript of the Cardiff interviews is presented here, framed by Evans’s introduction and reflection. Art historian Jon Wood contextualizes \u003ci\u003eThe Cardiff Tapes\u003c\/i\u003e within contemporaneous debates about sculpture and public space. These writings explore ideas about the social responsibilities of art and artists, and make a cogent argument for the value of “difficulty” in sculpture.\u003c\/p\u003e\n\u003cp\u003ePublished by Soberscove Press, 2015 \u003cbr\u003e90 pages, 20 color images, 5.5 × 8 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-940190-08-2\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36243947722,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Cardiff_17s.jpg?v=1485625616"},{"product_id":"is-this-your-house","title":"Is This Your House?","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA project by artist David Whelan documenting collaborative paintings made with his mother, Joan Whelan, who has been diagnosed with Alzheimer's Disease. The paintings appear alongside visual fragments sourced from Greek media which report on the execution of Whelan's grandfather. These seemingly disparate archives combine to activate a single disjointed history, interleaved with text and photographs. 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The images are all in color, often capturing weird little corners of life that could, and probably will, quickly vanish. Others were captured in his studio and tend to be more focused on humans in bizarre positions: models wreathed in multicolored lights or a man with a bunch of twigs stuck in his tighty-whities.” —Jake Blumgart\u003c\/p\u003e\n\u003cp\u003eDesigned by Joel Evey\u003c\/p\u003e\n\u003cp\u003eFirst edition, 2015\u003c\/p\u003e\n\u003cp\u003eLimited, hand-numbered edition of 100 \u003cbr\u003ePrinted at Epic Litho\u003c\/p\u003e\n\u003cp\u003e72 pages, full color with pink coil-binding, 8.75 × 6.5 inches\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36243976650,"sku":"","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/Evenin_RossBrubeck.jpg?v=1704486004"},{"product_id":"daring-the-shutter","title":"Local Wind","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eCatalogs and books published by Israeli artists in the 70s and 80s\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLocal Wind\u003c\/i\u003e is an essay and reference book by Aroch featuring scans of catalogs and artists' books created by Israeli artists Igael Tumarkin, Pinchas Cohen Gan, Ezra Orion and Yitzhak Danziger in the 70s and 80s. \u003cbr\u003e\u003cbr\u003eThe artists that created and published books during those years wandered out into the field, conducting research that was personal, intimate and essential to their work. They were driven by a desire or dream to create a different reality through and in relation to concepts such as locality, identity, otherness and land, around which most of the projects and activities evolved. This book seeks to call attention to these bodies of work that, for some reason or another, do not occupy the place they deserve in the field of art in which we work and to which we belong.\u003c\/p\u003e\n\u003cp\u003eAroch is Ellie Armon Azoulay and Yonatan Vinitsky.\u003c\/p\u003e\n\u003cp\u003ePublished by Public School Editions\u003c\/p\u003e\n\u003cp\u003eText in English and Hebrew \u003cbr\u003e198 pages, 4.5 × 7 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-965-91735-4-9\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244014282,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/LocalWind_17s.jpg?v=1485656968"},{"product_id":"make-ready-peter-maybury","title":"Make Ready \/ Peter Maybury","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eMake Ready\u003c\/i\u003e encapsulates Peter Maybury's studio output over a twenty year period. Produced to accompany an exhibition of the same name, this volume expands on the strategies Maybury employs in his design work and includes notes and details about many of the projects.\u003c\/p\u003e\n\u003cp\u003ePeter Maybury works as an artist, graphic designer, and musician. With formal training in visual communications in Dublin and London, his creative practice has expanded to encompass design for print and screen, wayfinding systems, artworks for exhibition, sound, video and curation.\u003c\/p\u003e\n\u003cp\u003ePublished by Gall Editions, 2015 \u003cbr\u003eCo-published with Ways\u0026amp;Means for OFFSET2015\u003c\/p\u003e\n\u003cp\u003e128 pages, 7.7 x 6.5 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9566293-3-3\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244219594,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/MakeReady_17s.jpg?v=1485610579"},{"product_id":"scott-burton-collected-writings-on-art-and-performance","title":"Scott Burton: Collected Writings on Art and Performance","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eScott Burton (1939-1989) was an American artist best known for his large-scale furniture sculptures in granite and bronze. Recognized internationally as a preeminent figure in postwar American art, Burton synthesized minimalism, performance art, and large-scale civic projects.\u003c\/p\u003e\n\u003cp\u003eBefore gaining widespread recognition for his sculpture and public art, however, Burton produced a substantial body of art writing in the late 1960s and early 1970s. An eclectic and wide-ranging critic, he wrote important texts, including the introduction to the groundbreaking exhibition of Post-minimal art \u003ci\u003eLive in Your Head: When Attitudes Become Form\u003c\/i\u003e and also served as an editor for both ARTnews and Art in America. At the same time, Burton simultaneously became known as a performance artist, developing themes he pursued in his writing. His dual role as an artist-critic, however, has rarely been explored.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eScott Burton: Collected Writings on Art and Performance, 1965-1975\u003c\/i\u003e brings together—for the first time—Burton's essays and unpublished manuscripts from these years, tracing his work as an art critic as well as his early statements on performance. In his writing, Burton championed positions that others held as mutually exclusive and antagonistic. He advocated for reductive abstract art while defending figuration, and he argued for the urgency of time-based and ephemeral art practices in the same years that he curated exhibitions of realist painting. Distinct in these diverse texts are Burton's increasing concerns with art's appeal to affects, empathies, and subjective responses; the early formulation of his desire to make art public and accessible; and his critical grasp on the implications and exclusions of mainstream narratives of art.\u003c\/p\u003e\n\u003cp\u003eThis collection offers rich new context for Burton's sculptural work and reveals him as an important voice in the rapidly changing art world of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eEdited by David J. Getsy\u003c\/p\u003e\n\u003cp\u003ePublished by Soberscove Press \u003cbr\u003eFirst edition, 2012 \u003cbr\u003e258 pages, 1-color with color plate section, 6 x 9 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9824090-4-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244285386,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/ScottBUrton_17s.jpg?v=1485625451"},{"product_id":"portikus-by-michael-pfrommer","title":"Portikus by Michael Pfrommer","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis booklet is a collection of texts on the work of Michael Pfrommer written by high-school students upon visiting the Portikus exhibition of his paintings in 2011.\u003c\/p\u003e\n\u003cp\u003eWith an afterward by Sophie von Olfers\u003c\/p\u003e\n\u003cp\u003ePublished by BOM DIA BOA TARDE BOA NOITE\u003c\/p\u003e\n\u003cp\u003e32 pages, offset, 170 × 260 mm\u003c\/p\u003e\n\u003cp\u003eISBN 978-3-943514-03-02\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244320394,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/PortikusMP_17s.jpg?v=1485655595"},{"product_id":"collective-actions-audience-recollections-from-the-first-five-years-1976-1981","title":"Collective Actions: Audience Recollections from the First Five Years, 1976-1981","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eActive in Moscow since 1976, the Collective Actions group played a key role in the development of conceptual and performance art in the Soviet Union. Inspired by the work of John Cage, the organizers invited audiences to take part in minimal, outdoor actions in fields and forests on the edges of the city that explored the nature of the aesthetic event. These spatio-temporal events directed viewers’ attention to the pure contemplation of their own perceptions, and over time, the actions produced masses of documentary material.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCollective Actions: Audience Recollections from the First Five Years, 1976-1981\u003c\/i\u003e concentrates on the early period of field actions when the problems of documentation—how to capture and convey ephemeral action to non-participants—were just beginning to be considered.\u003c\/p\u003e\n\u003cp\u003eAppearing for the first time in English, the subjective recollections presented here provide a counterpoint to the group’s better-known descriptive texts and theoretical writings, a selection of which are also included. Composed by several of Collective Actions’ regular audience members, the generously illustrated recollections share the author-participants’ idiosyncratic attempts to remember and give narrative to their own experiences of actions, and they illustrate the group’s ongoing investigation into the status of documentation in participatory art.\u003c\/p\u003e\n\u003cp\u003eTranslated and edited by Yelena Kalinsky\u003c\/p\u003e\n\u003cp\u003ePublished by Soberscove Press \u003cbr\u003eFirst edition, 2012 \u003cbr\u003e116 pages, full color, 8 x 8 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9824090-5-3\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244806986,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Collective_17s.jpg?v=1485112489"},{"product_id":"sasa-44-annual-report-2013","title":"Sasa [44] Annual Report","description":"\u003cp\u003ePersonal 2013 annual report of the artist Sasa.\u003c\/p\u003e\n\u003cp\u003eSasa, which means forty-four in Korean, is a classically trained composer whose multi-dimensional visual artworks explore consumption trends, the art market, and the relationship between the two. Sasa’s annual reports are an auto-biographical representation of his activities, purchases and general living. Each volume of Sasa’s documentation project takes a different form.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned by Sulki and Min.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Specter Press \u003cbr\u003eOffset lithography, folded and cased, 8.75 x 12.25 in. \/ poster unfolds to 24 x 33 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-89-93061-34-5\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244847114,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/Sasa_44_AnnualReport2013.jpg?v=1725138065"},{"product_id":"of","title":"Of","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eOf\u003c\/i\u003e, written by architect Tom dePaor and designer Peter Maybury, collects together a series of essays related to Ireland’s exhibition at the 12th International Architecture Exhibition in Venice in 2010, \u003ci\u003eof de Blacam and Meagher\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThe exhibition—curated by Tom dePaor, Peter Maybury, Alice Casey and Cian Deegan—took the form of an unbound book, containing volumes of drawings and photographic reproductions from the archives, contemporary photography, and readings of the work with commentary. 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These commentaries offered a contemporary and critical view of the firm's practice and its positioning in the wider context of Irish architecture.\u003c\/p\u003e\n\u003cp\u003ePublished by Gall Editions, 2012 \u003cbr\u003ePrinted in an edition of 500\u003c\/p\u003e\n\u003cp\u003e128 pages, 5.75 x 7.75 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9566293-2-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244964234,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Of_17s.jpg?v=1485620765"},{"product_id":"menq-enq-mer-sarere","title":"Menq Enq Mer Sarere","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eMenq Enq Mer Sarere\u003c\/i\u003e (We Are Our Mountains) commemorates the centenary of the Armenian Genocide (1915-2015) and pays tribute to the Armenian heritage of the authors, French sisters Camille and Anna L.\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a film directed by Henrik Malian in 1969, the book is a collection of works that chant an ode to memory. Collages, photographs, and poems intertwine, as the artists seek out a new way to consider memory and remembrance. Constructed as an exquisite corpse, the book juxtaposes various references and inspirations. Magritte befriends Paradjanov, Tarkovsky mingles with Dada, Pirosmani chats with Cornell. The book lends readers a modern and creative lens to look through and glimpse the richness and power of Armenian culture. These original works shine a new light onto ‘Armenianity’ and harmonize traditional references and contemporary visuals.\u003c\/p\u003e\n\u003cp\u003ePublished by Orpheus Standing Alone \u003cbr\u003eFirst edition, 2015 \u003cbr\u003eNumbered edition of 300 copies\u003c\/p\u003e\n\u003cp\u003e176 pages, offset, 6 x 8.25 in.\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36245015690,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/MenqEnqMerSarere.jpg?v=1703108078"},{"product_id":"graphic-design-history-in-the-writing-1983-2011","title":"Graphic Design History In The Writing (1983-2011)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTracing the history of graphic design over the past 30 years, this reader is comprised of some of the most influential texts published in English about graphic design history, documenting the development of a relatively young field's recent history, and underscoring the aesthetic, theoretical, political and social tensions that underpin it.\u003c\/p\u003e\n\u003cp\u003eIncluded are texts by Jeremy Aynsley, Steve Baker, Andrew Blauvelt, Piers Carey, François Chastanet, Wen Huei Chou, Denise Gonzales Crisp, Brian Donnelly, Johanna Drucker, Steven Heller, Richard Hollis, Robin Kinross, Ellen Lupton, Victor Margolin, Ellen Mazur Thomson, Philip B. Meggs, Gérard Mermoz, Abbott Miller, Rick Poyner, Martha Scotford, Catherine de Smet, Teal Triggs, Massimo Vignelli, and Bridget Wilkins\u003c\/p\u003e\n\u003cp\u003eEdited by Sara De Bondt and Catherine De Smet\u003c\/p\u003e\n\u003cp\u003eDesigned by Sara De Bondt Studio\u003c\/p\u003e\n\u003cp\u003ePublished by Occasional Papers \u003cbr\u003eSecond edition, 2014\u003c\/p\u003e\n\u003cp\u003e304 pages, paperback with black and white illustrations, 8.25 × 11.75 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-09-5696-230-0\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36245163082,"sku":"","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/GRAPHICDESIGN_HISTORY_WRITING_21S.jpg?v=1622225007"},{"product_id":"the-form-of-the-book-book","title":"The Form of the Book Book","description":"\u003cp\u003eNow in its fourth printing, \u003cem\u003eThe Form of the Book Book\u003c\/em\u003e brings together essential essays on the book—its history, present, and possible futures—by preeminent graphic designers and graphic design theorists\/historians including Chrissie Charlton, Catherine de Smet, James Goggin, Jennie Eneqvist, Roland Früh \u0026amp; Corina Neuenschwander, Sarah Gottlieb, Richard Hollis and Armand Mevis.\u003cbr\u003e\u003cbr\u003eIn a nod to Jan Tschichold’s famous collection of essays \u003cem\u003eThe Form of the Book\u003c\/em\u003e (1975), this volume offers in-depth analyses of key moments in the history of book design in order to better imagine the many forms the book will take, and is already taking, in our digital age.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited and designed by Sara De Bondt and Fraser Muggeridge\u003c\/p\u003e\n\u003cp\u003ePublished by Occasional Papers \u003cbr\u003eFourth edition, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e96 pages, paperback with color and black and white illustrations, 14 × 23 cm\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-956-26057-4\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36586356042,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/TheFormOfTheBookBook.jpg?v=1691008160"},{"product_id":"i-am-andrea-crews","title":"I Am Andrea Crews","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eFASHION - ART - ACTIVISM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAndrea Crews is a community project for the recycling of second-hand clothes, created in 2002 by Maroussia Rebecq at the Palais de Tokyo. Since then, it has grown into a multi-faceted collective connecting the worlds of fashion, art and activism. Andrea Crews has documented all its actions, collections, exhibitions, performances and travels, capturing a movement full of color and life. This book tells the story of the collective, and depicts the central role it has played in the creative and alternative scenes at the outset of the new millennium. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncluded are essays by Lauren Bastide, Florence Parot and Lorent Idir, as well as interviews with Sarah Andelman, Jérôme Sans and Dominque Babin.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned by deValence with Jeremy Perrodeau\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn French and English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e416 pages, full color, 6.75 × 9.25 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e978-29-17855-34-8\u003c\/span\u003e \u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36592401610,"sku":"","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/IAmAndreaCrews.jpg?v=1726857791"},{"product_id":"the-most-beautiful-swiss-books-2013","title":"The Most Beautiful Swiss Books 2013","description":"\u003cp\u003eFor the annual roundup of the crème de la crème of books published in Switzerland, designers Julien Tavelli and David Keshavjee of Maximage took the idea of the test print to its extreme by subjecting various pages of the book to continuously changing parameters. The result is highly varied—for example, using CMYK and Sixplex printing, matte varnish or no varnish, etc. The various treatments and methods are intermixed with different screening criterions. Particularly attractive to those in the industry, such as designers, printers and lithographers, it will also appeal to students and anyone who appreciates visually strong books that are conceptually sophisticated at the same time.\u003cbr\u003e\u003cbr\u003eConcept and design: Maximage\u003cbr\u003e\u003cbr\u003ePublished by Federal Office Of Culture Bern, 2014\u003cbr\u003e\u003cbr\u003eText in German and English\u003cbr\u003e\u003cbr\u003e160 pages, color and b\u0026amp;w illustrations, 9 × 12.25 in.\u003cbr\u003e\u003cbr\u003eISBN 978-3-952420-91-1\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":37031431690,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/TheMostBeautifulSwissBooks2013.jpg?v=1703692110"},{"product_id":"daring-the-shutter-1","title":"Daring the Shutter","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn Tel Aviv of the 1950s and 1960s, solar protection was hype. Architects loved it: inspired by photographs of the modernist architecture of Brazil, they indulged in the creation of a new architectural idiom in which external shading devices served as the major visual attraction. The ornamental frenzy, justified by climatic considerations, was far from securing perfect solar control; its failures expedited the emergence of a new vernacular that would change the city’s image forever.\u003cbr\u003e\u003cbr\u003e\u0026lt;i\u0026gt;Daring the Shutter\u0026lt;\/i\u0026gt; is the product of a collaboration between architectural historian Or Aleksandrowicz and Dr. Zvi Elhyani, Israel Architecture Archive’s founder and director.\u003cbr\u003e\u003cbr\u003ePublished by Public School Editions\u003cbr\u003e\u003cbr\u003e182 Pages, 4.5 x 7 inches\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":37033545290,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/DaringShutter_17s.jpg?v=1486127004"},{"product_id":"detail-in-typography-jost-hochuli","title":"Detail in Typography \/ Jost Hochuli","description":"\u003cp\u003eAn attractive, interesting layout can certainly attract and please the reader; but when the details are not good, reading requires more effort and any pleasure is short-lived. \u003cem\u003eDetail in Typography\u003c\/em\u003e is a concise and close-up view of the subject — letters, words, the line, and the space around the elements — and it discusses what is essential for the legibility of the text. Yet this is more than a guide to correct typography. How is it, Hochuli asks, that text can be set perfectly and yet look insufferably dull? Answers may be found here, not least in the way the book itself has been set and produced.\u003cbr\u003e\u003cbr\u003eJost Hochuli is a Swiss typographer, internationally renowned for his book design work. As a teacher, he has had long experience in Zurich and his home town of St. Gallen. As a writer and editor, his books include \u003cem\u003eBook Design in Switzerland\u003c\/em\u003e (1993), \u003cem\u003eDesigning Books\u003c\/em\u003e (1996), and \u003cem\u003eJost Hochuli: Printed Matter, Mainly Books\u003c\/em\u003e (2002). He has edited and designed the annually published ‘Typotron’ series of booklets (1983-1998) and the Editions ‘Ostschweiz’ (from 2000).\u003cbr\u003e\u003cbr\u003eThe book was published first, in several languages, in 1987 and 1988. Hochuli then developed the German text, publishing it again in 2005, in Switzerland. \u003cbr\u003e\u003cbr\u003eDesigned by Jost Hochuli\u003cbr\u003e\u003cbr\u003eTranslated from German by Charles Whitehouse, 2008\u003cbr\u003e\u003cbr\u003ePublished by Éditions B42, 2015\u003cbr\u003e\u003cbr\u003e64 pages, with black and white illustrations, 5 x 8.25 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 9782917855669\u003c\/span\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":37034303818,"sku":"","price":31.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/DETAIL_IN_TYPOGRAPHY_21S.jpg?v=1622221525"},{"product_id":"can-you-feel-it-effectuating-tactility-and-print-in-the-contemporary","title":"Can You Feel It? Effectuating Tactility and Print in the Contemporary","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAfter endlessly hearing that Onomatopee publications have a materiality and tactility not often experienced in recent years, editor (and director of Onomatopee) Freek Lomme decided to create an exhibition and publication addressing the issue of tactility and print today. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe result is a palm-sized book jam-packed with information and ideas on the subject. Six contemporary artists and eight international academics and authors in the field of graphic design, materiality, theory and art explore how, in the digital age, our daily interaction with physical materials is greatly altered and how this affects us as humans. Developed in the context of fine book publishing, the project includes in-depth discussions of past printing and reproduction processes, including silkscreen, etching, Risograph, linocut, lithography and letterpress. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eImages are limited but texts are diverse with small reproductions accompanying the art and artist interviews. The result is a fresh and rigorous conversational volume about the process and the art of bookmaking in the 21st century. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eArtists featured include Sema Bekirovic, Matthieu Blanchard, Lieven De Boeck, Frederic Geurts, Ulrike Mohr and Thomas Rentmeister. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWith texts by Lars Bang Larsen, Christopher Breu, Johanna Drucker, Alessandro Ludovico, Esther Krop \/ De Monsterkamer, Rik Peters and Marieke Sonneveld.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePublished by Set Margins, 2022\u003cbr\u003e(formerly published by Onomatopee in two editions)\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e192 pages, mostly b\u0026amp;w with some color illustrations, 4.1 × 5.8 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eISBN: 978-9-08-327060-9\u003c\/span\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":37162162762,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/DSCN4482.jpg?v=1722451026"},{"product_id":"josef-muller-brockmann-pioneer-nbsp-of-swiss-graphic-nbsp-design","title":"Josef Müller-Brockmann: Pioneer of Swiss Graphic Design","description":"\u003cp\u003eThis richly illustrated book traces Josef Müller-Brockmann's practice, illuminating the history of one of the leading exponents of Swiss Graphic Design in the 1950s and 1960s. While his posters are renowned for their ability to convey information with great visual tension, a sense of drama, and an extreme economy of means, his larger body of work relied on timeless principles of visual communication. This book presents—in addition to posters—Müller-Brockmann's logotypes, preliminary sketches, and foundational grids alongside documentary photographs of various appearances and exhibitions. Also included are numerous lesser-known works in chronological order.\u003c\/p\u003e\n\u003cp\u003eDesigned by Lars Müller\u003c\/p\u003e\n\u003cp\u003ePublished by Lars Müller, 2015\u003c\/p\u003e\n\u003cp\u003e264 pages, 396 color and b\u0026amp;w illustrations, 6.5 \u003cspan\u003e×\u003c\/span\u003e 9.5 inches\u003c\/p\u003e\n\u003cp\u003eISBN: 978-3-03778-468-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":37223013194,"sku":"","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/oct11_pub_IMG_0133.jpg?v=1634143657"},{"product_id":"poster-collection-21-paradise-switzerland","title":"Poster Collection 21: Paradise Switzerland","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis publication presents posters promoting travel, agricultural products, Swiss manufacturing (watches), and other familiar motifs. Vintage Swiss posters appear alongside contemporary designs—in some works, traditional imagery is deliberately invested with new meanings. While this volume highlights readings of stereotypically Swiss images from a contemporary point of view, it also pays homage to the repertoire of images that have historically been deployed to represent Switzerland.\u003c\/p\u003e\n\u003cp\u003eIncludes approximately 90 posters produced between 1900 and 2010, by designers and ad agencies including Aebi und Partner, Otto Baumberger, Emil Cardiaux, Hans Falk, Walter Herdeg, Herbert Leupin, Burkhard Mangold, Herbert Matter, Martin Peikert, Emil Schulthess, Stalder und Suter, Niklaus Stoecklin, Ruf Lanz, Carlo Vivarelli, Weber, Hodel, Schmid, and others.\u003c\/p\u003e\n\u003cp\u003eIncludes the essay “Swiss Crosses, Heidi Alphorns, William Tell: The History of An Obsession” by the Swiss ethnologist and writer David Signer; and “Paradise Switzerland: an Image World” by Cynthia Gavranic.\u003c\/p\u003e\n\u003cp\u003eDesigned by Integral Lars Müller\u003c\/p\u003e\n\u003cp\u003ePublished by Lars Müller in cooperation with Museum Für Gestaltung Zürich\u003c\/p\u003e\n\u003cp\u003eIn German and English\u003c\/p\u003e\n\u003cp\u003e96 pages, 120 full color illustrations, 6.5 × 9.5 inches\u003c\/p\u003e\n\u003cp\u003eISBN: 978-3-03778-205-7\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":37298262922,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/IMG_8505.jpg?v=1685148404"}],"url":"https:\/\/draw-down.com\/collections\/books\/logo-design.oembed","provider":"Draw Down","version":"1.0","type":"link"}