{"title":"Art","description":"","products":[{"product_id":"jean-jullien","title":"Jean Jullien","description":"A zine of whimsical photo constructions by illustrator Jean Jullien. His characters and visual jokes literally pop off the page and into our own dimension, and in doing so expose the humor and joy of everyday life.\u003cbr\u003e\u003cbr\u003ePublished by Draw Down \u003cbr\u003eFirst edition, 2015\u003cbr\u003e\u003cbr\u003e32 pages, full color, 6.5 in × 7.75 in.","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35441248330,"sku":"","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/jeanj_st.jpg?v=1483062959"},{"product_id":"evil-people-in-modernist-homes-in-popular-films","title":"Evil People in Modernist Homes in Popular Films (Archive Copy)","description":"\u003cp\u003e\u003cb\u003eOut of Print, Archive Copy\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEvil People in Modernist Homes in Popular Films\u003c\/i\u003e \u003cbr\u003eVol. 1, MMX.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eE.P.i.M.H.i.P.F. \u003c\/i\u003eoffers a serious but lighthearted investigation of the representation of modernist architecture in popular film, reflecting on the convention of associating evil characters and events with modern buildings, and also, more generally, on the relation between cinema and architecture. A series of film stills, quotes and accompanying texts point to examples in \u003ci\u003eThe Damned Don't Cry\u003c\/i\u003e (1950), \u003ci\u003eDiamonds are Forever \u003c\/i\u003e(1971), \u003ci\u003eBlade Runner\u003c\/i\u003e (1982), \u003ci\u003eBody Double\u003c\/i\u003e (1984), \u003ci\u003eLethal Weapon 2\u003c\/i\u003e (1989), \u003ci\u003eL.A. Confidential\u003c\/i\u003e (1997), \u003ci\u003eThe Big Lebowski \u003c\/i\u003e(1998), and \u003ci\u003eTwilight \u003c\/i\u003e(2008). Includes essays by Steve Rose, Jon Yoder, and Joseph Rosa.\u003c\/p\u003e\n\u003cp\u003eDesigned by Benjamin Critton\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eSecond edition, 2013 \u003cbr\u003ePrinted in an edition of 1,000\u003c\/p\u003e\n\u003cp\u003e24 pages, 2-color offset, 11.5 × 15 in.\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9857337-3-5\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35513114698,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/EvilPeopleinModernistHomes.jpg?v=1704041319"},{"product_id":"goon-dok-1","title":"Goon Dok","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Until the whole world ends...\"\u003c\/p\u003e\n\u003cp\u003eA series of playful sculptural assemblages and object photographs by Serious Makers. Plastic bobbles and doodads, kitchen implements and glaring eyeballs pair with unknown tools from the last aisle of the five and dime. The figures anthropomorphize themselves; each piece becomes an archetype drawn from the classic mythology of \u003cem\u003eThe Goonies\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003ePublished by Draw Down \u003cbr\u003eFirst edition, 2015\u003c\/p\u003e\n\u003cp\u003e24 pages, 2-color, 5.5 × 7.5 in.\u003c\/p\u003e","brand":"Draw Down","offers":[{"title":"Default Title","offer_id":35517137226,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/goondok_store2017.jpg?v=1483325028"},{"product_id":"plein-air-high-desert-test-sites-01-katie-bachler","title":"Plein Air (High Desert Test Sites 01) \/ Katie Bachler","description":"\u003cp\u003eIn 2012, American artist Katie Bachler (one of the co-founders of The Women's Center for Creative Work in Los Angeles) became the first \"Scout\" to take up residency at High Desert Test Sites in Joshua Tree, California. Bachler's efforts included launching map-making and rag-rug braiding workshops; establishing the Scout's Book Club; and embarking on a busy schedule of local site visits, field trips, and spontaneous conversations.\u003c\/p\u003e\n\u003cp\u003eThis volume serves as a diaristic encapsulation of her residency, marking the woman's dinner in the desert that later grew into the WCCW as well as a dance performance at Coyote Dry Lake by the Body City collective, and serving as a record of Joshua Tree's local culture and heritage.\u003c\/p\u003e\n\u003cp\u003eDesigned by Neil Doshi\u003c\/p\u003e\n\u003cp\u003ePublished by High Desert Test Sites\u003c\/p\u003e\n\u003cp\u003e109 pages + 1 postcard, mainly 1-color with 12 full color plates, 7.75 × 6 inches \u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":35519060234,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/PleinAir_HighDesertTestSites01_KatieBachler.jpg?v=1704061558"},{"product_id":"100-days-of-travellers-in-red-akhila-krishnan","title":"100 days of travellers in red \/ Akhila Krishnan","description":"\u003cp\u003eIn 2015, London-based artist and video designer Akhila Krishnan embarked on a new project: to document, each day for a hundred days, people wearing red on her commute to work. A red coat, a hat, headphones—anything that was part of their outfit for the day counted.\u003c\/p\u003e\n\u003cp\u003eCollected together and sequenced in this volume, these everyday portraits are an impressionistic record of a hundred travelers on a specific London Overground line (with occasional tube portraits tucked in). Subjects are often sketched in contemplation or in moments of individual reflection—deep in thought, on phones, listening to music, or reading—and occasionally in the company of others. The result is a moving volume of collective human experience, with Krishnan's captions adding color and detail.\u003c\/p\u003e\n\u003cp\u003eIncludes introduction by Akhila Krishnan\u003c\/p\u003e\n\u003cp\u003eSelf-published, 2016 \u003cbr\u003eFirst edition\u003c\/p\u003e\n\u003cp\u003ePrinted by Hato Press \u003cbr\u003ePrinted in a limited hand-numbered edition of 100 copies\u003c\/p\u003e\n\u003cp\u003e120 pages, 2-color Risograph, 7.75 × 11 inches \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":35519136330,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/100daysoftravellersinred.jpg?v=1704487103"},{"product_id":"not-broken-yet-high-desert-test-sites-02-katherine-ball","title":"Not broken yet (High Desert Test Sites 02) \/ Katherine Ball","description":"\u003cp\u003eAmerican artist Katherine Ball, whose artistic practice finds its roots in ecological activism, social engagement, and pluriversal counter-hegemony, produced this slim volume after her 2014 artist residency at High Desert Test Sites in Joshua Tree, California. Its contents—eight interviews—serve as a contemporary oral history of the Mohave Desert.\u003c\/p\u003e\n\u003cp\u003eIncludes interviews with graphic designer John Young; biologist Kelly Herbinson; Frazier Haney, conservation director of the Mojave Desert Land Trust; Deb Bollinger, conservation coordinator; Jill Giegerich, artist; Tim DeLorey, neuroscientist; Maya Toccata, fermented food cullinarian; and unidentified former Marines who served in “Azanistan.\"\u003c\/p\u003e\n\u003cp\u003eDesigned by Neil Doshi\u003c\/p\u003e\n\u003cp\u003ePublished by High Desert Test Sites\u003c\/p\u003e\n\u003cp\u003e129 page, mainly 1-color with 8 full color plates, 7.75 × 6 inches \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":35519332618,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/Notbrokenyet_HighDesertTestSites02_KatherineBall.jpg?v=1704061723"},{"product_id":"graphic-design-exhibiting-curating","title":"Graphic Design, Exhibiting, Curating","description":"\u003cp\u003eIn recent years, graphic designers have become increasingly interested and engaged in the exhibition context as a space of production, mediation and dissemination. In June 2012, the international conference “Graphic Design, Exhibiting, Curating” brought together a number of graphic designers, curators and critics engaged in exhibition-making and curating. The proceedings feature contributions by Brave New Alps, Charlotte Cheetham (Manystuff.org), Mieke Gerritzen (Museum of the Image, Breda), Lungomare\/Lupo\u0026amp;Burtscher, Prem Krishnamurthy (Project Projects), and Jon Sueda, as well as extracts from the discussions that followed each panel.\u003c\/p\u003e\n\u003cp\u003eDesigned by Martin Kerschbaumer\u003c\/p\u003e\n\u003cp\u003ePublished by Bozen Bolzano University Press\u003c\/p\u003e\n\u003cp\u003ePrinted by Friends Make Books\u003c\/p\u003e\n\u003cp\u003eSoftcover, 160 pages, Risograph, 6.75 × 9.5 inches\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36194475402,"sku":"","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/IMG_6632.jpg?v=1621726460"},{"product_id":"real-state-asta-meldal-lynge","title":"Real state \/ Asta Meldal Lynge","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA visual essay—with text by Eleanor Ivory Weber—that takes a critical stance towards the subjects of housing, urban development and image production. Employing video-stills, photographs and found images, this volume explores the social and political value of the image, in a specifically urban context, emphasizing the fictions present in the (re)production of space.\u003c\/p\u003e\n\u003cp\u003eAs the content is framed and re-framed, trackpad gestures are overlaid, ultimately bringing the stability of all image surfaces into question. This destabilizing approach is mirrored in Weber’s text, which combines excerpts from e-mail conversations with differing registers of fiction, expanding on the disconnection between the idea of housing as a basic human need and it’s position within market logic and neoliberal ideology.\u003c\/p\u003e\n\u003cp\u003eThe title \u003ci\u003eReal state\u003c\/i\u003e alludes to the conditions of these systems, the power structures of governed entities, and the business of real estate, while insinuating a difficult promise of something real or true to be revealed.\u003c\/p\u003e\n\u003cp\u003eWorking with various mediums but predominantly with moving images and collage, Asta Meldal Lynge's work explores the topos of the image. Much of the London-based Danish artist's work is concerned with the constructs of image production relative to its creation and medium.\u003c\/p\u003e\n\u003cp\u003eDesign by Rory Gleeson with Asta Meldal Lynge\u003c\/p\u003e\n\u003cp\u003ePublished by Studio Operative, 2016 \u003cbr\u003ePrinted in a limited edition of 600 copies\u003c\/p\u003e\n\u003cp\u003eSoftcover, 128 pages, full color offset, includes 16 die-cut pages, 8.5 × 11 in. \u003cbr\u003e[1 lb 5.6 oz]\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9575223-6-7\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36242555850,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Realstate_17s.jpg?v=1485621245"},{"product_id":"drunk-complexions-samara-scott","title":"Drunk Complexions \/ Samara Scott","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThis beautifully printed and wholly unique artist book expands upon London-based artist Samara Scott’s installation practice, translating her approach to materiality—with her use of dense surface language and atmospheric liquids, objects and textures—onto the shimmering, glossy page.\u003c\/p\u003e\n\u003cp\u003eBeginning with a series of works made for the exhibition \u003ci\u003eHarvest\u003c\/i\u003e (2015) at London's The Sunday Painter, \u003ci\u003eDrunk Complexions\u003c\/i\u003e depicts a chronological portrait of these works—condensed sub astral landscapes and rock pools housed in domestic vessels, as they form, ripen, decay, crust over and disintegrate. Reproduced in neon pink and orange, the colors of a ‘medieval Miami sunset,’ the magnified single-color images create new microscopic environments.\u003c\/p\u003e\n\u003cp\u003eAn additional synthetic substance intermingles with those that the images depict. A deletion chemical applied, with a variety of materials, directly onto lithographic printing plates produces an inky film of silver that pools and swarms across the pages, submerging the images and mirroring the shifting liquids that immerse the consumer detritus and material landscapes of the original works.\u003c\/p\u003e\n\u003cp\u003eDesigned by Traven T. Croves\u003c\/p\u003e\n\u003cp\u003eEdited by Alice Lindsay, Andrew Lister, Matthew Stuart and Peter Willis\u003c\/p\u003e\n\u003cp\u003ePublished by Studio Operative, 2015 \u003cbr\u003ePrinted in a limited edition of 500 copies\u003c\/p\u003e\n\u003cp\u003e44 pages, offset lithograph, 9.5 × 13.25 in. [9.2 oz] \u003cbr\u003eSleeved with postcard, 5 × 7.25 in., in screenprinted poly sleeve, 10 × 14.25 in.,\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-9575223-3-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36242683274,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/DrunkComp_17s.jpg?v=1485113772"},{"product_id":"scott-burton-collected-writings-on-art-and-performance","title":"Scott Burton: Collected Writings on Art and Performance","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eScott Burton (1939-1989) was an American artist best known for his large-scale furniture sculptures in granite and bronze. Recognized internationally as a preeminent figure in postwar American art, Burton synthesized minimalism, performance art, and large-scale civic projects.\u003c\/p\u003e\n\u003cp\u003eBefore gaining widespread recognition for his sculpture and public art, however, Burton produced a substantial body of art writing in the late 1960s and early 1970s. An eclectic and wide-ranging critic, he wrote important texts, including the introduction to the groundbreaking exhibition of Post-minimal art \u003ci\u003eLive in Your Head: When Attitudes Become Form\u003c\/i\u003e and also served as an editor for both ARTnews and Art in America. At the same time, Burton simultaneously became known as a performance artist, developing themes he pursued in his writing. His dual role as an artist-critic, however, has rarely been explored.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eScott Burton: Collected Writings on Art and Performance, 1965-1975\u003c\/i\u003e brings together—for the first time—Burton's essays and unpublished manuscripts from these years, tracing his work as an art critic as well as his early statements on performance. In his writing, Burton championed positions that others held as mutually exclusive and antagonistic. He advocated for reductive abstract art while defending figuration, and he argued for the urgency of time-based and ephemeral art practices in the same years that he curated exhibitions of realist painting. Distinct in these diverse texts are Burton's increasing concerns with art's appeal to affects, empathies, and subjective responses; the early formulation of his desire to make art public and accessible; and his critical grasp on the implications and exclusions of mainstream narratives of art.\u003c\/p\u003e\n\u003cp\u003eThis collection offers rich new context for Burton's sculptural work and reveals him as an important voice in the rapidly changing art world of the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eEdited by David J. Getsy\u003c\/p\u003e\n\u003cp\u003ePublished by Soberscove Press \u003cbr\u003eFirst edition, 2012 \u003cbr\u003e258 pages, 1-color with color plate section, 6 x 9 inches\u003c\/p\u003e\n\u003cp\u003eISBN 978-0-9824090-4-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":36244285386,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/ScottBUrton_17s.jpg?v=1485625451"},{"product_id":"can-you-feel-it-effectuating-tactility-and-print-in-the-contemporary","title":"Can You Feel It? 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Characters play a drunken game of association, passing through images and metaphors of the digesting body and of architectural form. Originally created for the 2017 exhibition\u003cem\u003e Signals from the Periphery, \u003c\/em\u003einstalled at the Tallinn Art Hall, these spatial fictions were were presented on the wall of the exhibition that also served as a map for the plotting of the text. For this project, drawing and writing are parallel instruments of a collaborative (and serendipitous) investigation into the abstraction of language and form.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe work is a collaboration between the Dutch designer and illustrator \u003c\/span\u003eRudy Guedj\u003cspan\u003e and the writer \u003c\/span\u003eWill Pollard.\u003c\/p\u003e\n\u003cp\u003ePublished by Building Fictions, 2017\u003cbr\u003ePrinted in a limited edition of 300 copies\u003c\/p\u003e\n\u003cp\u003eSoftcover (screenprinted transparent PVC cover), 52 pages, stapled binding, b\u0026amp;w offset, 7.5 × 11 inches\u003c\/p\u003e\n\u003cp\u003eISBN: 978-90-827712-0-6\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":6565288443931,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/TummyRumble_ToMe_Rubble.jpg?v=1722452603"},{"product_id":"idea-376-graphic-designers-and-exhibitions","title":"IDEA #376 — Graphic designers and exhibitions","description":"\u003cp\u003eIssue #376 of Japan's \u003cem\u003eIDEA\u003c\/em\u003e magazine is largely about graphic designers and exhibitions from yesterday, today, and tomorrow. Writers like Tetsuya Goto and IDEA editor-in-chief Kiyonori Muroga explore the meaning of exhibitions to graphic designers today, beginning with a focus on the 27th Brno Biennial 2016, the world’s longest running design biennial. Included is an interview with Radim Peško, Tomáš Celizna, Adam Macháček, the curators of the 2016 Brno Biennial.\u003c\/p\u003e\n\u003cp\u003ePart 2, “The State of Graphic Design Exhibition Today,” covers the USA, Poland and South Korea through interview with Jon Sueda, David Crowley (“International Poser Biennale, Warsaw”), Min Choi and Hyungjin Kim (“Graphic Design, 2007-2015, Seoul”). \u003c\/p\u003e\n\u003cp\u003ePart 3, “Japanese Graphic Design and the History of Exhibitions and Collections,” offers a chronology of Japanese exhibitions, with texts by Tatsuya Kuji and Tetsuya Goto.\u003c\/p\u003e\n\u003cp\u003ePart 4, “Study Room,” includes contributions from \u003cspan class=\"s1\"\u003eAaron Nieh, Åbäke, Kyungsun Kymn, Yah-Leng Yu: Foreign Policy Design Group, Yukimasa Matsuda, Kiyonori Muroga, Javin Mo, Leonard Koren, Philippe Egger, Daijiro Ohara, Caryn Aono, Shutaro Mukai, Yoshihisa Shirai, Fumio Tachibana, Guang Yu, Kohei Sugiura, Kenya Hara, Helmut Schmid, Nobuhiro Yamaguchi, heiQuiti Harata, Jens Müller, Shin Akiyama, Xiao Mage \u0026amp; Cheng Zi, Wang Zhi-Hong, Tetsuya Goto, John Warwicker, so+ba: Alex Sonderegger+Susanna Baer, Peter Bil’ak, Ryan Hageman, Kazunari Hattori, Na Kim, Kirti Trivedi, Ian Lynam, Lu Jingren, Santi Lawrachawee, Chris Ro, Randy Nakamura, and Sulki \u0026amp; Min Choi... as well as a text (“Tabula Rasa: Worlds Connecting or Design Mannerism”) by Kiyonori Muroga and Ian Lynam. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eA special photography section called “Arrangement of Objects” presents work by \u003c\/span\u003eKazunari Hattori, Uta Eisenreich, and Leonard Koren. Also included: “Language Without Place,” a text by Scott Joseph. This issue also includes a reprint of the supplement \u003cem\u003eBetween A and B\u003c\/em\u003e by Kazunari Hattori as well as an insert (“Which Mirror Do You Want to Lick?”) designed by Åbäke. \u003c\/p\u003e\n\u003cp\u003eThe last section consists of an interview with RETRO print JAM and is the final installment of Barbora and Momo Nonaka's examination of Japanese small press history (“Barbora × Momo Nonaka: All we know about Japanese Zines”), focused on the first half of the 2010s. \u003c\/p\u003e\n\u003cp\u003eContaining a wealth of bilingual examinations of curation, cultural attitudes, and speculations by some of the leading design curators today, this issue is a dense volume packed with useful insights and graphic inspiration. Multiple inserts, and printing on a variety of paper stocks using assorted printing methods, make this volume a treasured design object itself.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIDEA is Japan's leading graphic design magazine. Each issue offers insight into international and Japanese designers and their work through historical analysis, criticism, and examples of projects. In print since 1953, IDEA is a critical forum for design criticism in Asia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by Kensaku Kato, Seigo Kitaoka (LABORATORIES)\u003c\/p\u003e\n\u003cp\u003ePublished by Seibundo Shinkosha Co., Ltd.\u003c\/p\u003e\n\u003cp\u003eBilingual, in Japanese and English\u003c\/p\u003e\n\u003cp\u003eSoftcover, 186 pages, 8.9 × 11.75 inches\u003cbr\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":8119334305882,"sku":"","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/products\/Idea_376_18s.jpg?v=1523707449"},{"product_id":"a-series-of-shapes","title":"A Series of Shapes","description":"\u003cp\u003eBy Gabriel Stromberg\u003c\/p\u003e\n\u003cp\u003eSeattle design firm Civilization's Creative Director Gabriel Stromberg experiments with basic design elements like form, space, and typography in this volume, creating a body of work focused on personal narrative and creative investigation. 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The second edition includes a new editorial piece (\"Language Constructed, Language Unmade\") with contributions from Rouzbeh Rashidi, Alexandru Balgiu, Alice J Lee, Dinamo, David Jonathan Ross, Meghan Ferrill, Gregory Vines, Gerry Leonidas, Paul McNeil, Devin King, and others\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe inaugural issue explores typography as a site of epistemic tension, where ideals of clarity, universality, and perfection collide with historical contingency, materiality, and ideological control. Contributions interrogate the myth of typographic neutrality through inquiries into language reform, spatial inscription, analog production, and digital transformation. From Hangul’s deliberate invention to asemic poetics and cinematic sequencing, the issue frames typography as both system and rupture where utopian aspirations generate their own exclusions, and legibility becomes a contested terrain.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned and edited by Pouya Ahmadi\u003c\/p\u003e\n\u003cp\u003ePublished by Amalgam\u003cbr\u003eSecond edition, 2025\u003cbr\u003e(Image currently shows first edition)\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover, 160 pages, b\u0026amp;w, 6.5 × 9 inches\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 978-0-99-983335-3\u003c\/span\u003e\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":12167819722842,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/AmalgamOp.1.jpg?v=1761939339"},{"product_id":"open-your-mind-so-we-can-use-your-data-dadara","title":"Open Your Mind So We Can Use Your Data \/ Dadara","description":"\u003cp\u003eDaniel Rozenberg, who works under the artist name Dadara, began his career in the early 1990s designing fliers and record covers for the up-and-coming electronic dance scene in Amsterdam. Both avant-garde and postmodern, the enigmatic artist, designer, and cartoonist has since accomplished numerous works, most notably interactive performance installations in public space since the early 2000s. Dadara's extravagant interactive projects have included starting his own bank and creating a religion based on social media.\u003c\/p\u003e\n\u003cp\u003eHe is a master in recognizing how place can influence the power and influence of the work. Dadara’s practice is a kind of tweaked mirror which reflects our society, blurring the lines between reality and fantasy. 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The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most contemporary section: French artist’s books after 2000, and presents a selection of around 120 publications produced by more than 40 artists, printers, and publishers. Although these 21st-century books follow in the tradition of their classic predecessors, new aspects also emerge. 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The F word has been applied, since the 1950s, to test-tube babies, heart transplants, prosthetics, robotics, cosmetic surgery, genetic engineering, genetically modified crops and numerous other public anxieties arising from scientific research. Today, Frankenstein has taken over from Adam and Eve as the creation myth for the age of genetic engineering.\u003c\/p\u003e\n\u003cp\u003eWith text by renowned Gothic scholar Sir Christopher Frayling, it includes new research on the novel’s origins; a facsimile reprint of the earliest-known manuscript version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the 19th century; visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture—on posters, advertisements, packaging, in comics and graphic novels.\u003c\/p\u003e\n\u003cp\u003eDesigned by Joakim Olsson\u003c\/p\u003e\n\u003cp\u003ePublished by Reel Art Press, 2017\u003c\/p\u003e\n\u003cp\u003eHardcover, 208 pages, 124 color and 75 b\u0026amp;w images, 9 × 11 inches\u003c\/p\u003e\n\u003cp\u003eISBN: 978-1-909526-46-4\u003c\/p\u003e","brand":"Curated","offers":[{"title":"Default Title","offer_id":12254381899866,"sku":"","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1681\/2497\/files\/FrankensteinTheFirstTwoHundredYears.jpg?v=1726247377"},{"product_id":"nice-to-meet-you-can-yang","title":"Nice to Meet You \/ Can Yang","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eAfter graduating from the Rhode Island School of Design (RISD) in 2018, Chinese graphic designer Can Yang traveled to Chile. 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